They are single layer samples I think and so are not going to compete with plugins that go deep with specific instruments but the samples are looped and sound so much better than they should given the total file size. Not exactly a sample pack (a romplepack?) and it was a gamble, but my best purchase over the Black Friday period was the soundfont version of. Strange to see the same folks who pirated samplepacks and sold them on Ebay as their own creations 20 years ago are still doing it today, and are still getting away with said: Sample houses come and go like a bag of potato chips. Lots of good pads and atmospheric samples though.Īuto-sampling hardware and plugins is an endless source nowadays. Splice if I'm looking for something specific, but they don't have enough multi-samples - it's mostly loops and song construction kits. Recent discover is (GBs of free acoustic instruments, which are used in several commercial products, so do your homework first). Orchestral - I still use Garritan or samples ripped from Giga, EMU, and Yamaha A-series CDs - they're dated, but I'm not making film scores. Or the Sonic Boom or F9 Instruments and Kits for the MPC, with GBs of WAVs for use in other samplers.ĭrum One-Shots - Arturia Spark library and its soundpacks have nearly everything, or just search online. There's over 100GB of WAV/AIFF right there. Multi-samples - Camel Audio Alchemy, Dimension Pro, Rapture and all of their soundpacks are still my favorite for multi-samples with sustaining loops and key in sample name.

But I suppose SFM is a great value, if you don't want to dig, kind of like IKM Mixbox as an all-in-one effects suite.

And most of the SFM drum samples can be sourced for free from Reverb, Goldbaby, and a million other sample houses, processed with a few FX if required. Sure, computers and samplers now have a lot more RAM, disk-streaming, time-stretching, cross-fade looping, etc, but nowadays it's more about size vs efficiency, and the tradeoff now is how well the sampler/computer handles those huge samples, how organized the user is, and if the user understands that disk-streaming, time-stretching, and cross-fade looping uses lots of CPU. Disappointing that nobody nowadays embeds sustaining loops in multi-sample packs. I have the Samples From Mars bundle but rarely use it. If I'm feeling lazy and need to make an IDM/Glitch/Chiptune kit, I use these. With cutting-edge up- and down-risers, reverse FX, miscellaneous FX, vinyl crackle backgrounds and amazing atmospheres that were recorded on airports and in train stations (and other locations) from around the world, tech house and techno producers can find that perfect sound to showcase in their next chart-topping hit! This pack also features best-in-class minimalistic drum loops (with just very few instruments added, so you can layer your individual loops over kick- and clap-free samples) as well as melody - and bassline sub loops to layer under your beat as you carefully craft the perfect groove.I suppose it depends on the tune I'm working on. Explore over 2,200 samples, including a wide variety of fresh one-shots such as bass drums, claps, snares, hi-hats, cymbals, percussion, vocal shouts, synth shots and FX sounds - all subdivided into six different categories. Vengeance Essential Tech House is here to help you bring down the house or raise the roof - whichever you prefer! This new samplepack by Vengeance Sound delivers authentic, up-to-date tech house and techno samples.

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